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Swatch 'Puzzle Watch' : 3/07 - 4/07, UVPHACTORY. 2D animation and layout. Composting 3D passes. Generating background elements. |
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Kites: 11/06, personal. Created all visuals, including background photography. Animated entirely in After Effects with heavy scripting. Appeared in Smilefaucet's "Air" issue. |
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The Rapture 'Pieces of the People We Love'' : 1/07, Greendcard Pictures. Tracking, roto, composite. |
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Another Part of Town: 5/05, solo. Creation of short film title sequence from two supplied pages of line-art and handwriting. |
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Gonzo: The Life and Work of Dr. Hunter S. Thompson: 7/07, Bigstar. Sole executor of these two shots. I worked on several sequences for this feature documentary. |
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Bjork 'Wanderlust' : 11/07-3/08, UVPHACTORY. Assorted compositing tasks. In these shots I added articulation to the yaks' faces, heads, and breathing. I also did extensive work on the stereoscopic 3D version, adjusting/distorting elements to create coherent depth. |
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Skeleton Suit: 7/07, solo. Motion design, scripting. Reel intro for a sound design collective. Drawings were supplied. |
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SPEED Network packaging: 5/07-7/07, 2/08, Bigstar. Animation, rotoing, compositing. Radically altering 3D passes, as well as generating new reflections within AE. |
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TV on the Radio 'Provence' : 2/07, Bigstar. Roto, composite, creation/animation of crown and star elements |
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No End In Sight: 11/06-12/06, Bigstar. Animated all the map and info-graphics throughout the film. |
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Conservation International 'Collapse' : 5/07, Thornberg & Forester. Designed and animated treatments of archival stills. |
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Ashlee Simpson 'Outta My Head' : 12/07, UVPHACTORY. Merging footage of singer with a 3D head, and incorporating them into background plate. Assorted keying and compositing throughout the video. |
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mtvU 'Dean's List' : 8/06, Viacom. Rebuilt the interface of an online video player as an After Effects document, to serve as a countdown show's packaging. Animated and scripted to allow quick content updating for each episode. |
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Kings of Leon 'Be There' : 2/07, Bigstar. Keying, compositing. |
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American Express 'WE ASPIRE' : 2/05, Edgeworx. Design development, storyboarding, and animation for corporate event video. |
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'Adobe Media Player' commercial: 3/08, UVPHACTORY. Animated trails, screen transition effects, and composited 3D passes. |
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Megatrends: 4/07, Bigstar. Animation, image research, secondary design. |
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Xerox Logo Launch: 12/07-1/08, UVPHACTORY. Animated line elements and their transition to the logo. 3D composite cleanup. |
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Nexxus: 1/08, UVPHACTORY. Text animation. Background construction. |
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American Masters 'Novel Reflections' : 2/07, Viewfinder Productions. Design, animation. |
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Ben Jelen 'Where Do We Go' : 3/07, Awesome & Modest. All compositing, tracking, rotoing. On-set effects supervision. |
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VH1 'Best Weed Ever' : 12/05-2/06, Waverly Films. Butterfly design/animation. Lead keyer and compositor. On-set effects supervision. |
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Voom NASCAR Championship: 8/07, UVPHACTORY. Animated/composited particle smoke and sparks. Assorted compositing cleanup throughout. |
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Glaceau: 9/06, Bigstar. 2D animation. |
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AOL: 9/06, Bigstar. 2D animation. |
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Canadian Tourism: 11/06, Bigstar. 2D animation. |
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Combat Diary: The Marines of Lima Company: 3/06-4/06, Viewfinder Productions. Direction of title sequence. Design and animation. |
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Anystream: 8/07-9/07, UVPHACTORY. Compositing and manipulation of high-speed footage. |
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TV on the Radio 'Wolf Like Me' : 7/06-8/06, Smuggler. Design and animation of texture/color treatment used throughout. |
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10 Days That Unexpectedly Changed America 'Antietam' : 8/05-10/05 , Viewfinder Productions. Effects direction. Designed treatment of battle reenactments. Supervising animator. |
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MovieReal
: 11/04, 4/05, Viewfinder Productions. Motion design, retouching, and animation of archival stills for A&E series. |
